I was back in Abbey Road Studio 2 last week to record a number of pieces for a piano-centric album, on a soon-to-be-announced brand new production music library.
We worked with pianist Nathan Williamson and London Contemporary Orchestra arranger Hugh Brunt, and had the choice of three pianos:
Mrs. Mills (Steinway Upright) – with optional cotton treatment
Challen upright – with optional felt treatment
So with those treatment options we could layer up five different piano sounds. The mics on each piano were piped into the Studio 2 echo chamber, and also back into a vintage EMI TG12345 for a saturated signal. Oh, and then back into the isolation booths for re-amping in vintage VOX amps.
We were pretty spoiled for choice, and Nathan was a fantastic performer for all composers involved.
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